Eja’i Chi Pah is going to be more about the geometric patterning and working with the geometric patterning. So we are going, we are going to look for a partner soon to do that one on one. It is going to happen one on one at first. 

Why the geometric patterning? For those who were there in Den Helder you could see what the effect of the Eja’i Chi Pah was in the end. Everybody starting out doing their own movements, in their own triangle, let’s say. In their own pyramid. And in the end you could see that all geometric patterning that is within everybody was so aligned, was so connected to one another that there was just one big shift of energy. 

Now, we are going to be presenting, pretty soon I hope, Eja’i Chi Pah workshops. We are also going to be doing that here in Belgium and Holland. It is going to be an experience of a couple of days but that is for next year. Because it is very interesting to teach you how to work with this material and it is going to be a beautiful workshop. I already know that right now. 

Da Ambika San: I was just thinking, can’t we do that in December? 

Da Jeshua San: In December? No, because that is going to be too fast. People need to integrate in December, but the Eja’i Chi Pah workshop is coming up. 

Geometric Patterning, what is that all about? You know that we have different layers. We have the magnetic layer, we have the geometric layer and we have the layer of gravity, which is creating our bodies. In the geometric layer we work with patterning. We work with vibrations, we work with frequencies, and these are that which eventually is creating the body and creating the world around us. Eja’i Chi Pah is about balancing, harmonizing, neutralizing even, those geometric patterns around us so you can actually be here now. 

Because this is something that people usually don’t know, but when you are completely in the moment, when you are completely in the now, all geometry falls away. It neutralizes itself completely. So if you are completely in that stillness, the geometric stillness also occurs and this is one of the most sacred experiences that you can have in this field of experience on planet Earth. It is beautiful to see when you have all that movement around you, that is creating your reality and there is so many different geometric shapes and then you enter into that, into that geometric balance and all of a sudden it is like the light of the geometric patterns, it just falls away completely and the space around you just opens up totally and everything liquifies, everything goes liquid. Because there is no more need for geometric creation at that point because you are totally being returned control of your moment, of your now, which is what universal freedom is, in the end, all about. Having control, having the Mastery over the complete now moment. No matter what is happening around you. 

The only reason why you are seeing the things around you that you are seeing is because you are defining the geometry that is around you. Because you are defining it, you are actually allowing the mind to take that beautiful work of art, that is the constantly changing world of geometry, and to define that, to make a moment of that, to stick that in a box, so that it becomes solid. 

Geometry that is not left untouched to do what it wants becomes solid and then solidifies like the bodies, you see? Eja’i Chi Pah takes that away. 

If you were to do the Eja’i Chi Pah workshops on a very, very regular basis, which is, I am talking about twelve hours a day actually for about a month, which is …

Da Ambika San: … possible in December. 

Da Jeshua San: If you were to do that, then what you would see is an amazing, amazing experience. What happens after about ten days, ten of those classes, is the actual manifestation of light that starts to come into your purity. You begin to have the ability to generate light on your hand. What you are basically generating is a geometric pattern that is wanting to take on a shape, waiting for you to take on shape or rather yet, better yet, to be let go again, to be let go again. That is very important. And then, if you continue, like ten classes down the road, let’s say, what you end up with is that total zero space where the now is completely in such geometric balance that what you are creating as geometry and what is seen around you as geometry is exactly the same, so both geometric patterns fall away. 

What we are going to do today is we are going to start with creating the pyramid once again. In a minute I am going to put on some music. And we are going to be creating the pyramid once again and after that, I am going to ask you already now, to find a partner, to find a person, one person that you can connect with after the pyramid experience. And we are going to start using the… let’s call it the infinity angle, to work with the geometric shapes. So you are going to be creating the geometry and passing it on to each other. 

And you are going to see at first that you are just going to be in your own sense of movement, that you are going to be creating your own shapes, your own geometric shapes. But after a while you will start noticing when, like magic happens, and you actually connect on a geometric level. 

This is when you step into each other’s magnetic fields and you can actually connect on a geometric level. And the geometric movement that you are going to be doing is going to become one. All you need to do is don’t think about what you are doing, because if you do that it is not going to work. If you do that you are going to fall back, especially those like Da Pahdasan’ka Barak Solarys San and Da Komaya San, who have practiced martial arts, are going to find the urge… Is there anyone else here who did martial arts at one point in their life? Not on a high level, or? Oh yeah, Da Teake San. Well, if you go back to the movements that were taught to you during martial art classes, you are going to see that you are going to be working with mind-based thinking, you are not going to be working with the Akene. 

The Akene will not allow you to use any of the shapes, any of the movements that you have priorly known, that you have been taught at a certain point. But I guess, for you guys, last time when we actually started in Den Helder with those movements it must have been pretty difficult not to fall back to those movements that have been taught to you, right? Yeah, I can imagine. So, I would suggest to the both of you not to be each other’s partner then, because you are probably be ending up in a martial arts class. 

So maybe this is a good moment, as I go start looking for the music to find a mate I wanted to say, but to find a partner. So do that right now and set yourself up somewhere in a space, anywhere here and make sure that you have enough space. Make sure that you have enough space around you, so that you won’t be hitting anyone, okay? 

So, keep your distance at this point, from your partner because the first step of the exercise, the first step of the Eja’I Chi Pah, you are going to be doing alone. It is about finding the center at first. So let’s start with the essence of the I Am breath. 

As you start breathing in you become aware that your body is more than your body, that your flesh is not the boundary that you think it is. You go way beyond that. And as we are going to breathe now, we are going to become aware of that totality that we are. As you breathe in, take in all the energy that is around you. As you breathe in focus on the ‘I’, the concept, the concept of ‘I’. And I breathe in all that is I. And as I breathe out I create all that I Am. 

Breathing in is the ‘I’, breathing out is the ‘Am’. So let’s do a couple of breaths. I Am. Let’s do it again. Even this voice that you are hearing now is you, is part of your ‘I’ experience. Breathe in, and you breathe out. And you breathe in, and you breathe out. We are going to take a moment now to integrate everything that has happened to us in the past, because all that was just a story. All of your past was but a story. All that matters is what you are breathing in now and what you are breathing out as you create the space that is around you.

Focus then, focus on the Akene behind your thymus. It is going to start burning as the sun inside is once again made aware of its existence. Let it burn. Let it open up. From the depths of the Earth, a gift is sent to you in the form a lotus flower. It is going to be this lotus flower that is going to support your throughout the exercise. It opens up right under your feet so you can stand on it. So if at any point you feel the room going liquid, you will have the support of the lotus. It is what it does. 

And as you continue breathing the I Am, focus on going deep within the center of your chest. And you can see that the Akene is a star, a brilliant, brilliant star, a sun. And we are going to travel now to the heart of that star, so go inside of it. And you travel through dimensions and you go deep to end up in the center of that star. And what you find there is the triangle and the circle and the infinity energy.

As you do the breathing, focus, focus on your blank DNA. It is available to you now. DNA that is filled with possibilities still. This is the part of your DNA that hasn’t been made manifest yet. 

I am going to ask you to start creating with that aspect of your DNA as you bring in the energy of the Neocortex. Let the fantasy begin. 

And we bring in the elements. The element of Earth, the element of water, air, and light, fire. All brought together in that which we call consciousness. In a minute as the music will start, you will feel the energy of the dolphin approach you. It contacts you from the water of your body. It swims within. The dolphin that is within. Let it touch you now. Looking at you now. And it is telling you that you have changed, so much, so many layers now gone. And you are here. You are here, with the dolphin inside. It wants to come out through your heart. Be the portal and let that dolphin come out as you you breathe, breathe, breathe, give birth to the dolphin. It is around you now, it surrounds you now, twirling, playing, touching, dancing, singing, and blending, showing you the way of simplicity, simplicity. And all thoughts just go away, away. And all that you were is gone. 

The dolphin takes up position in front of you. As it does it calls for the whale inside of you. The whale, wisdom, wealth, wonderment. You are wise beyond your imagination. See what the dolphin and the whale are telling you. Look into the eye of the whale and hear its song, divinity, infinity, simplicity, power, hand in hand, and you in control. Let the whale go behind you, taking up position behind you now, to the left where it has always been. 

Before you can let go of that energy, here comes the turtle, the honu. It is sending you its frequencies, ancient, authentic. Let it tell you the story of creation, how the Earth once began, so long ago and as it does, you remember now that you came here to the Earth,. You created the Earth and the water and the wind and the fire and the flame and consciousness. Listen to the story of the honu. Have you ever heard its song? It sings, once every hundred years it sings, the honu. And its song is unique. It always sings for just one person, emerging from the depth of the ocean as it comes towards you with a song that you can’t hear, but you feel it, the song of the honu, as it sings. And it makes, it makes you move. 

It sings of continents and other worlds, where it knew you as well. It is a keeper of energy, energy, simplicity. Let it return that simplicity and that knowledge to you now. It only sings for you now, for you. And then it takes up its position behind you, to the right. And the triangle is complete: dolphin, whale and turtle are one, are blending with you. 

I ask you to invite the Higher Self above you now, above you now. Let it connect to the turtle and the whale and the dolphin, creating a pyramid, security, certainty, creation. You are a creator. You are creation. The observer and the observed. And inside that sphere of freedom. There is geometry, light, taking shape with the movements of your hands. Light follows the movement of your hands. There you go. You are creating. Use the neocortex, imagination, to create from the heart. What does it want, the heart? It wants naught, nothing, it just wants to be. So create a state, a state of being. Get ready to explode, explode as you take the elements in yourself. 

You connect the water to the land. All is one, and you take the wind, and the fire, and the flame, and you make it one. There you go. Consciousness. And all of a sudden it hits. I Am, I Am the center of the heart of experience. Everything here, in this room is experience, an experience of you. The lights, the candles, the chairs, the plants and the people around you, being observed by you, and observing you. I Am, I Am, I Am, I Am, I Am that I Am, I Am. 

We are going to open up the triangle and let the energy of creation flow to all things around you, and as that happens your DNA wakes up, strand after strand, filled with knowledge. You can’t describe it but deep down you know that you are them all. Deep down you know that you are creating them all. 

We are going to a place of stillness now and all things stop. And slowly, slowly, we become aware, there is a creation in front of you. A partner, reflection, reflecting your image right back to you. Get ready to open your eyes and watch your partner. An image of you, a reflection of you, if you can just look beyond, look beyond what you see and what you know, and what you think, and what you feel, and what you want, and what you need, and what you hope and what you dream. Look beyond. Find yourself deep within. Don’t you focus on what is missing, but on what is there, your partner inside. 

I am going to ask one of you, just one, to put your hand, your hand on your heart, one of you. You are going to be the one to make the initial move, the beginning of geometry. With the hand that you have available, make the first move. 

And start to create the other like you see yourself within yourself. Make the shape that is you, looking back. And take your second hand, the image becomes more complete. In a moment we are going to ask the other person to step inside of the field of magnetics, to take one step. Do it now. Welcome to the field of magnetics. You blend. You become one. Let the other describe your geometry, you are safe and sound, there is no fear here. 

And to the second one, I am going to ask to start creating the magnetics that you feel or that you see. Whatever that move might be, start making it. Geometry and magnetics dancing as one. Use your dreams as a way of creation. You feel the urge to start moving around each other, to turn and turn, choose the direction of the magnetics. 

You are creating a language, a song, a dance. The world is born. A world of love and joy, and freedom. Feel what it is like to be geometry and magnetics, how easy it is, that aspect of yourself. See? This is what you do all the time when you are not looking. It is what you do when you are not thinking. It is what you do when all you do is to feel. 

Maybe a sound wants to exist. If so, let the sounds come up. Let the sound of geometry come up, like the turtle and the whale and the dolphin. Do you feel the field of creation? And in a moment start changing places with one another as the fields will shift. Magnetics and geometry, feel the difference of that field. Just turn around each other now. 

Change magnetics and potentials. Those potentials, you controlling the magnetic field, are bringing in, the potentials of this moment. And you, working with geometry are taking those potentials and making them real. Don’t think about it. Don’t think about what you would want. It is there already. Have some fun with this. What does it feel like to be in the other position? Is there a song that wants to come out? I think there is, there is a dolphin inside after all. [audience making sounds] And the whale, and the dolphin, or the turtle. [audience making sounds] And a wolf? [More sounds and laughter]

And now you feel that you are starting to blend. Your movements are aligning as the magnetics of potentials and its counterpart, creation is alive. Between you there is the Earth. Can you see the Earth? It is right there where your Akene is, touch. Bring in the potentials of creation, bring it into the Earth. 

And as all of these potentials and these creations start to line up, we are getting ready to understand that everybody around us is a different reality, another dimension of potential and creation. So what we will do, in a minute, is start to move again. To turn around again. And as you do, start changing partners and look them in the eye.

In a minute the music is going to go on. And start ready to start turning, and as you turn and touch another group, just let go of your partner and start that flow up from going from one person to the next, to the next, to the next. Connecting that balance and that harmony as you do. 

Here we go, just start to move. The words are going away now. You know now what to do. So there will be stillness. The stillness that you find when you create. The stillness that you find when the mind is gone. 

Start turning around, and around, and around, and around as you connect to one and the other, and the other, and the other, and the other, and the other, and the other. Don’t stay too long. I know you want to stay but just go and flow, and flow, and flow, and create magnetics and geometry, both at once now. Just create, and don’t think. Keep on turning, you will find someone, and another, and another, and another, and another, and another, and another. Maybe you will find three, four or five, it is all inside of one. 

You start to move away. And connect again. And patterns start changing as you connect. And take. 

And connect, and connect, and connect, and connect, and connect. The movement is taking on its own type of infinity. Think of the elements, the connection between the elements. The thumbs, the Earth. And then the water, then the middle finger, the consciousness. And then the air. And then the light. 

If you create and you take a geometry and magnetics, you combine them through your fingertips. You don’t have to think, the connections are just made, they are simply made. Connect the elements, and the dolphins, and the whales, they know what to do with your creation that you do through your fingertips.

(Da Jeshua San speaks Lemurian/Dah’lyn, while the attendees express the elements.)

That is the way to do it. Yeah.

(Da Jeshua San speaks Lemurian/Dah’lyn, while the attendees express the elements.)

Raise your consciousness. Find the spiral of infinity.

(Da Jeshua San speaks Lemurian/Dah’lyn, while the attendees express the elements.)

Higher. Wonderful, wonderful. And we connect again, connect again, start moving and shifting and changing that perception. Start to see through the eyes of all that are here. Use the Akene and see through the eyes of all that are here. 

And in a minute now all language will stop. All that will remain is the language of energy. You know the recipe now. It begins with the dolphin, and the whale, and the turtle, and the Higher Self. That is where you begin. 

And then you take it into geometry, and into magnetics, and then you shift. And as you shift you take the elements of the fingertips and you connect the elements. And in that connection the sounds, they come up. Neutrality of the ‘m’, and the Earth of the ‘o’, and the water of the ‘a’, and the sky of the ‘e’, and the fire of the ‘i’. That is how you create your day. 

Don’t forget to shift. You are waiting, you are holding on to a partner, that is form. You need to move and be liquid. Go and go. I see your thoughts. You are connecting to the partner in front of you, and not the one inside of you. It is about the partner that is inside of you, Imzaia. 

So let’s begin again. Make sure that you stay with a partner no longer than ten seconds, otherwise you kick in the illusion of form, and we don’t want that now, do we? 

We are going to go to one last song, but before we go there, I am going to remind you one last time. So stay in the energy, you can also stay in the energy without song or without balanced speech. I am just going to remind you one last time how it works. 

First you bring in the dolphin, and the whale and the turtle. You create the triangle and you take in the Higher Self to create the pyramid. As you do that, one of the both of you takes on the shapes of geometry and the other one takes on the shape of magnetics. And you start to move. Magnetics is all about bringing in the potentials. Geometry is about creating the truth behind the potentials, manifesting the potentials. And once you start to do that you start to shift and you start to get in a state of flux, moving around and around and around. And again I see those who are stuck in form. Who are looking at their partners although they would be the form. Again I see those who are stuck, so start to move again, and start to move again. It is always the love angels that get stuck. 

Start to move again. So after you bring in all of that and you start to move, then you start connecting the elements that are on your fingertips. The thumbs, they carry the energy of Earth. The next fingers they carry the element of water. And the middle finger that you raise at each other so often in this lifetime, on this planet, it is about consciousness. So the next time when someone gives you the finger, it is a sign of consciousness. And then the next fingers are all about the air. And the last fingers, the pinkies, are all about the light. 

It is the smallest finger that carries the most energy. Isn’t that interesting? 

And as that happens, as you start making those connections, then what you will do after that, is bring in the sounds. That brings in the geometric sound to create that which you have set out to create. The beautiful thing about being here now is that you are not even aware of what you are creating. All that you are doing is experiencing all things and if you do all of these things correctly, my beloved Imzaia, my family, what you will end up with then is the sight of all things. You will see through everything in this room. And as you see through everything in this room, all will vanish. 

You have an opportunity in the next period of the now to start doing that. And don’t think about all the things I said just now. I am going to be very very quiet in a couple of seconds and just start the process. The only time when I will speak is when I see you are getting  stuck in form again. 

So, my beloved Imzaia, there we go. Have fun. And after this song I am going to invite you to come back to the Earth. So just as a reminder: 

(Da Jeshua San speaks Lemurian/Dah’lyn.)

That is all you need to do, that is all you need to know. Enjoy the coming 15 minutes. I will see you again on the other side. And create the passion of your heart by bringing in the energy of the dolphin, the whale, and the sea turtle. And so it is. 

Come on now. Don’t get stuck and start to move. Find the partner that is within. See you on the other side. 

Don’t forget to move. Oh, that illusion, that illusion of form. What a bitch. 

(Da Jeshua San speaks Lemurian/Dah’lyn.)

And move, and move, and move. Don’t stand still now, don’t get stuck now. 

(Da Jeshua San speaks Lemurian/Dah’lyn.)

It is 11.11. The portal of creation is now. 

(Da Jeshua San speaks Lemurian/Dah’lyn.)

The connection of the fingertips bringing in the elements of earth, water, consciousness, sky, light. All of those connecting. And don’t get stuck. What is it with you people. All looking at form while you know that it isn’t real. 

(Da Jeshua San speaks Lemurian/Dah’lyn. Everyone expressing ‘eeee.’)

And take it up to the high regions of the ‘e’. Let’s go. ‘eeee’

Let’s go to the ‘i’, the ‘i’ of the self, there we go. ‘iiiiii.’

The ‘i’, the ‘i’, the I Am, I Am, I Am. Start breathing, start slowing down. We are going to go all the way into ourselves now. All the way into ourselves now. Take that energy, that was built. Put it in yourself now, in that space that is the Universe, the Akene, that space. And in the coming minute I am going to invite you to just breathe in and breathe out the I Am that I Am. Two minutes of breathing. Breathe it in, breathe it out. Breathe it in, and breathe it out. 

Just breathe it in. I Am. All that is left for me to do then is to welcome you to planet Earth, the planet of your creation. Welcome to your day. And so it is. 

Okay. Let’s come back into the room, slowly open the ‘I’, which should be pretty open by now by the way, the ‘I’. Yes. Yes. 

So you see, still a very, very playful method of Eja’i Chi Pah, the beginning of what is to come. For those who want to remember what we just did, I took the liberty of writing it here on the board, so you can note it down. 

Eja’i Chi Pah. So, the first level that we did in the last few times is all about, it begins with the I Am breathing. Everything begins with you breathing I Am breathing. So it is about breathing in the ‘I’, the things that are all around you. Breathing in the ‘I’ and breathing out the ‘Am’, you see? So you take in everything and you accept it as you, so you will never identify with the things around you, but you will accept your own creator-ship over everything that is around you. 

‘I’, breathe it in, and as you breathe it out you accept the fact that you are creating all that is around you. First you accept it is you, and then you accept you are creating it. I Am. I Am. Takes you beyond the body that. 

And then after that you start with the dolphin, whale and honu activation, which is bringing in the dolphin the way we did, and putting him in front of you, putting it in front of you. And taking the whale, putting it to the back of you, to the left. Taking in the honu, or taking out, actually, I should say, the honu, and putting it to the right in the back of you. And then what you do, you put them on the ground, basically, in a triangle. And you take in the Higher Self from above and you start connecting these things so that you are standing in your own personal pyramid, which is badly drawn here. 

So that is basically the first level of Eja’i Chi Pah, which is what we did last time and then you can start variations on that theme by dancing around or by having the group that you are with, or yourself, just go into that energy, like we did in Den Helder, or creating a story based on neocortex energy, which we did last time when we were here. Remember the dancing trees that we had, and the rainbow energies that came in then. That is the first level of Eja’i Chi Pah. 

Today we went a little bit further with the second level, so as you then look for a partner, you choose which partner is going to be the first representation of the geometry and you choose who is then obviously going to be the representation of magnetics. One and one. 

The one representing the magnetics is representing the field of potentials, bringing those in basically. And the one representing the geometry is creating those potentials, is manifesting them. So you are both weaving, but one is actually taking the energy and the other is weaving the energy. And after a while you start shifting that, you start moving that around as you remember, from one to the other. And that is called the dance of manifestation, which is just going round and round and round, and round and connecting all that geometric energy and that magnetic energy together. 

And once you are going in that mood, once that is starting to activate, what you then do, is you bring in the elements. And you bring in the elements through your hands and through the sounds that you were making. As I told you, the ‘m’ is the neutral sound, it is the state of neutrality, a simple mmm. That is why the ohm is so very important, it is about the silence, about the neutrality, which is leaving the hands open simply, because you are still creating at that point. 

And then you have the ‘o’, the ‘a’, the ‘e’ and the ‘i’. The ‘o’ stands for the Earth and is based at the thumbs. So, if you start playing around with the movement of the hands then, which you see in many cultures by the way. You can actually connect, for instance, the Earth and the water together if you start creating that way [connects thumb with index finger], or you can connect it like this, connect the Earth to the Earth [connects the thumbs], and make the Earth stronger, the Earth connection stronger. 

That is nothing that you think about, because you don’t even know exactly what you are creating. Basically what you are creating is nothing more than Universal Love, and Joy and that sense of Freedom. But however it is going to show up in your life that moment is the way you are creating it. So you are just creating the movements you see, no matter what you are creating. 

‘O’ stands for the Earth, the ‘a’ stands for the water, and it is your index finger – oh, now I remember, I wanted to ask Da Pahdasan’ka Barak Solarys San: “what is the ‘wijsvinger”, but it is the index finger obviously – and then you go to the ring finger, this one here, is actually the connection to the sky. And this one, is the connection, your little pinky, is the connection to the light. And these fingers [middle fingers] are the connection to your consciousness. 

So next time somebody who passes you on the street and he does like this [giving the finger], thank you, you know? Thank you, you are connecting my consciousness, wonderful. 

Akeyasan: So it is actually positive.  

Da Jeshua San: Yes, he actually said hi. Let’s call that the Imzaia Hi. 

And of course the middle [finger] is the consciousness, this one, and it does not have a sound because consciousness is all about stillness, right? 

And then some pointers, because I noticed that a lot during the exercise that you were doing now: don’t forget to move! You are still in the illusion of form and as you get lost in each other’s eyes, you are not getting lost in each other’s energy. Don’t mistake that for truth, because you will be drawn to that person’s facade, you will be drawn to, if it is a partner of your liking, and you will be drawn to other things than the facade, but it is not going to be about the energy. Especially in these classes. 

When you get to class 10 or something, then you begin to have an insight in the illusion of form and you can actually work on a different level. You can actually start to look beyond it. But again, there is practice. So, keep on moving, keep making sure that you don’t attach any sentiment to the partner that you are with at that point. Because if you look longer than a couple of seconds, then you will start making a connection. And it is about making that connection and getting out again. And making another connection again and another connection and another connection and another connection. Because all is equal, and you will, if you stay longer, you will have the desire to look at those people that you really like and stay there for ten minutes and then you enter into contact with a partner that you don’t like and you stay ten seconds and you are gone again. That is a judgement. 

You will say: “Oh, but it feels so good to dance with you.” Yeah, right! It is the illusion of form. It feels good to dance with everybody. So don’t forget to move, and the most important thing in that movement is that you don’t connect to the partner which is in front of you, but you connect to the inner partner. The inner partner, which basically is the Universe, the totality. That is the partner, that is your body, right? 

And then, if you can take it far enough, but we were actually not doing it long enough, then we have to do it for an hour or so, is the expression of all things that comes in then. When you connect and connect and connect and connect and connect and connect, from partner to partner to partner, in the end if you are in that movement of geometry, you will begin seeing through each other’s eyes. Like those who were in Hawaii on the Black Sand Turtle Beach experienced when we were playing around with the Akene, you start seeing through each other’s eyes, which is an amazing thing. 

And if you then come to the end, you start again with the I Am breathing. So you just take that all inside and you are transformed. And you are basically ready to begin your day. 

Now, of course, most of you have been focusing on the dancing and haven’t been focusing on the geometrical movements. This becomes much more important, the movements that you do. And the actual energy that is behind that, the actual geometry that is behind that becomes much more important as you begin to, begin to get a deeper understanding of all of this. 

So these two classes basically are just about getting the hang of it so that you know the basics. And then the rest of the classes, which are going to come after these are basically about learning how to actually work with the elements, how to work with those movements and how to work with the sounds and everything so that you can actually make things happen in your reality, you see? 

But for now, these two classes are fun, I hope you liked them. We are going to take a short break now. I think it is almost 11.30 already. It is. So we are going to take a short 15 minute break and I will see you all back here at a quarter to twelve, okay? 

Thank you for participating. It was fun to do this class with you. I hope you got the hang of the Lemurian that was being spoken, that you felt what was behind that, with actually some great recipes for life that I was giving you, ways of combining the geometry that makes your life so very simple. Only you are not ready to hear these things in English, because these recipes simply aren’t available in English. I can only give them to you in Lemurian. In English they would mean nothing, they would mean: ‘Wood goes to light” and “Floor is a confession,” you know, that sort a thing. It would mean nothing. But actually when you do it in the geometry of Lemurian, then it actually means stuff. Then you get the recipes for life. 

Now the third class and the fourth class and the fifth class are all based on the recipes for life. So that is what we will do as we continue. But actually, if you really want to learn this, it would be good to take a five or seven day, or maybe even eight day workshop to really get the hang of this. Because I think it would be great to bring these Eja’i Chi Pah classes back to Earth, to bring it back into existence. And everybody who obviously comes to that workshop which we will be organizing in December, according to Da Ambika San, I don’t know, we will see, everybody that comes to that workshop is very much invited to also take it out there. 

And each time in Lemuria when an Eja’i Chi Pah workshop was done actually the entirety of Eja’i Chi Pah changed. It is like an open source platform like you have on the internet these days. You have Windows right, and you have Macintosh, but then there is an operating system called Linux, I think. It is a platform which is open source, that means that those working with it, who are programming it, keep enhancing it, keep adding to it. So usually what happens during those Eja’i Chi Pah classes in the past, and due to the Akeneic Energy that will happen again in the classes that we will setting up, you will find out that you will be enhancing the entire Eja’i Chi Pah concept because you are a part of that. 

As you learn it, as you learn how to be a teacher of this, actually the Eja’i Chi Pah energy will forever run through you as well. So as teachers are added to it the systemology, or the methodology of it starts changing every single time, and that is the beauty of it. 

So I look forward, really, really look forward to be teaching those workshops, that could be very interesting. 

But anyway, let’s take a break now. Thank you all for your beauty and your laughter and your joy, and be blessed. I will see you after your break